Rosemary Gray
(2018). Sowing "a quilt of harmony": an eco-phenomenological reading of Ben Okri's "lines in potentis" from wild (2012). In W. S. Smith, J. Smith, & D. Verducci (Eds.). Eco-Phenomenology (pp. 281-290). Dordrecht: Springer.
(2016). Ben Okri's "The landscapes within" (1981): The "Unfinished story". In A. Tymieniecka, & P. Trutty-Coohill (Eds.). The cosmos and the creative imagination (pp. 73-82). Dordrecht: Springer.
(2014). Ontopoiesis in Ben Okri's poetic oeuvre and "A time for new dreams" (2011). In A. Tymieniecka (Ed.). Phenomenology of space and time I (pp. 49-57). Dordrecht: Springer.
(2007). "A moment in timelessness": Ben Okri's Astonishing the Gods (1995; 1999). In A. Tymieniecka (Ed.). Temporality in life as seen through literature (pp. 23-35). Dordrecht: Springer.
(2000). Counterpoint in print: Okot P'bitek's Song of Lawino and Song of Ocol. In A. Tymieniecka (Ed.). The aesthetic discourse of the arts (pp. 87-102). Dordrecht: Kluwer.
(1997). Ayi Kwei Armah's "Two thousand seasons": From idea to idealism. In A. Tymieniecka (Ed.). Passion for place Book II (pp. 161-171). Dordrecht: Springer.